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Peterborough takes in the spectacle of Holiday on Ice


Lifestyle | Article

Show review by Richard Groom

 

As a ten year old I took a school trip to see Holiday on Ice at Wembley Arena. I loved every second of the magical show and so returned for the next two years, each time coming away with great memories.

So as a 40 year old, what did I make of the modern day Holiday on Ice when I saw the show at Exec Peterborough on Wednesday 3 February?

Holiday on Ice


This was my first trip to a Holiday on Ice show - and indeed any live skating - since those magical nights at Wembley. Back in the 80s, I seem to remember Disney characters and even a giant Snoopy skating around. Nowadays things have changed.

There are just a couple of fun costume characters - Chinese dragons, each created like pantomime horses by two skaters - but it's a more arty and serious show than I remember seeing as a kid. There's a theme running through the night ('Spirit - a Voyage from East to West') and a blend of cultures reflected in the costumes, music and routines.

After an impressive opening number with nearly 30 skaters on the ice at once, the first half's Eastern theme gets under way. There are the Chinese dragons, warriors with heavy fighting sticks and delicate kites that weave and spin above them. It's often set in mysterious landscapes created by smoke machines and some nifty scenery changes.

Each routine clearly has a meaning behind it. Some of the metaphors were a bit lost on me, and an audience who were perhaps more interested in seeing great skating and a great spectacle than getting any deeper message from the night.

The spectacle is there for sure: we get skaters with long capes flowing behind them, skaters who become huge flowers and others as the nymph-like creatures that flit around them. We are also treated to winged monsters that take to the air, thanks to some impressive wire work: now that's something I don't remember from the 80s.

After the interval it's time to go West, with 50 minutes of Native American routines (complete with pounding drums), urban hip hop and Vegas glamour. Things get interactive for a while too, with a few dads dragged out from the front row for a quick dance with girls in skimpy costumes - off the ice of course, but fun for everyone.

Everything looked wonderful and there was no doubt about the talent before us. But for some reason the Peterborough crowd seemed a bit subdued, with applause for the most part being polite rather than ecstatic.

Looking around the audience, there were many more pensioners than children, so maybe the response will be a bit more noisy and enthusiastic at this weekend's performances - three on Saturday and two on Sunday.

There were some big rounds of applause, predictably when the skaters threw in some especially impressive or dangerous moves. But the dazzling stuff was interspersed with routines that were beautiful but not always as dazzling as they might have been.

But these are just minor gripes and overall it was a treat to see people who make something so difficult look so effortless. Thanks to Robin Cousins at the helm as Artistic Director and an international cast including former Olympic competitors, there's no doubting the quality of skating from start to finish.

If you want to see some real skaters who are at the top of their game then this is the place to be. Forget about the celebrities stumbling around on ITV and see how it should be done. Whether you get into the themes behind the routines or not, you'll be glad you were there to see it.

February 2010 - Peterborough UK Community Website

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